Arkitip No. 51, Shepard Fairey

by Shepard Fairey (USA)

Availability: Out of stock


Published by Arkitip
7.5 x 10 In. (19.5 x 25.4 cm)
96 pages + stencil cover
Four color offset printed, perfect bound
Hand packaged & numbered ltd. edition of 5000
Packaged with:
One Shepard Fairey 7.5 x 10 in. silk screen print
Designed and printed specifically for this issue edition
Each print is signed by the artist

Essay by: Pedro Alonzo (excerpt)

New interview by: Simon Steinhardt (excerpt)

Issue photography by: Geoff Hargadon, Delphine Ettinger

Designed by: Cleon Peterson of Studio Number One

Additional Information

About Shepard Fairey

Shepard Fairey is arguably the most famous artist of the Arkitip alumni group, and could quite possibly be the artist most remembered of his generation. We celebrate Shepard's methods not only because they are beautiful and effective but also because he took on the mainstream art establishment and after 20 long years, he seems to be winning.

His recent rise to popularity punctuated by his support of the Obama Presidential campaign has made Shepard Fairey a household name. His iconic portrait of Barack Obama has come to symbolize the historic campaign of the first African American to be elected President and now that image graces the National Portrait Gallery at the Smithsonian. He's an artist who stands by what he believes in and has done more to communicate his causes to the masses than most of his contemporaries, which is admirable on any level. His campaigns have done more to shape the public consciousness than any other artist because you don't have go to a gallery to see his work, its ubiquity is well established.

This issue will be truly historic, as we celebrate 20 Years of Shepard's seminal 'Obey' campaign. Because Shepard has not been a guest of Arkitip magazine since issue edition No. 0003, this reunion collaboration has been long overdue and is a guaranteed to be another groundbreaking Arkitip classic.

About Arkitip
Arkitip's beginnings were humble. While the magazine began with a 50 copy, hand stapled run in 1999, those first copies look more sophisticated than most other "zines" you might have considered in the same category. The covers were silk-screened on corrugated cardboard and the docutek used to replicate the black & white art in the magazine rivaled the performance of most offset printers. It had a great homemade feel that was bona fide quality. Excellence in production is still of primary importance to Arkitip today. Artists contributing to the magazine respect this, as they know their art will not be compromised in any way. Today, Arkitip is a hand numbered 4/color art book. The fact that the magazine publishes site specific work at a lower price point than what hangs on gallery walls makes it available to art collectors of all economic levels. Each issue is like an original piece of art in and of itself. The magazine's founding principles remain as they were when we began:

  • Support the arts
  • Promote freedom of expression
  • Make art affordable and accessible

Arkitip Magazine serves these principles every day by its very existence. What began as a creative project between friends has become a full fledged business and a worldwide source for groundbreaking art and design today.

Arkitip No. 51, Shepard Fairey

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